The Mouseketeers (And A Mooseketeer) on Tom Snyder's Tomorrow Show, 1975

The original Mickey Mouse Club presented five new hour-long episodes each week during the 1955-’56 and 1956-’57 TV seasons.

In ‘57-’58, the show started slipping away, cut to five half-hour programs per week.

In ‘58-’59, the lights were still on in Mickey’s Clubhouse, but nobody was home.

Production had shut down, and Disney resorted to re-cut half-hour reruns. The loyal viewers who remained to watch the repeats had the unusual opportunity to relive a portion of their childhood while they were still children.

By the Autumn of 1959, these kids had no idea what to do with themselves at 5 p.m. on weekdays. It was in that forlorn condition that they entered the sixties, mere months later, which might just explain the entire decade.

After three years of clublessness, reruns of the show again became available through local syndication, and MMC ran in this manner for another three years, from 1962 through 1965.

If you were eight when the show had premiered, you were a teenager by the second go-round, and distinctly embarrassed if not appalled by how much you used to love this juvenile entertainment. It was left to a new group of eight-year-olds to pick up Mickey’s fallen banner.

As the Mickey Mouse Club returned to the air in September of 1962, the Beatles went into the studio with their new drummer, Ringo Starr, to record six tracks. By the time the MMC “went dark” again, the Beatles had played Shea Stadium and received their MBE’s.

The show then made a strong bid for obscurity, remaining “dark” for ten long years. Depending on my math skills – and the month of our fictional eight-year-old’s birthday – the kid is now 28.

Not old – but not feeling so young, either. “The Sixties” really began in ‘63 or ‘64 (the Kennedy assassination or The Beatles, take your pick) and really ended in ‘74 or ‘75 (Watergate or the draft, your pick once again). This third time around elicited acute nostalgia from the original audience, now fueled by memories of what, in retrospect, seemed a far simpler time. Some of them were watching as the Club reconvened on January 20th, 1975, when the second series of reruns began.

That same evening, The Tomorrow Show With Tom Snyder videotaped an episode featuring original Mouseketeers Darlene Gillespie, Sharon Baird, Lonnie Burr, Cubby O’Brien, Tommy Cole, and Cheryl Holdridge (who died earlier this month at 64). For the many original viewers who were now allowed to stay up late and watch people smoke, the hour-long Tomorrow Show was the electronic equivalent of a grade-school reunion. And, especially for those who were watching their first rerun, it must have been something of a shock.

You see, each morning, you get up, you look in the mirror, and, barring misfortune, you see almost exactly the same face you saw yesterday and will see tomorrow. You never see yourself age. You only come to realize how old you are obliquely, by encountering some other face you haven’t seen in a long while. At that point, logic kicks in: I don’t feel older, but if that person is older, then I must be older.

If it weren’t for those damn Mouseketeers, and those damn memories of winter days when the fading sunlight in our TV rooms imperceptibly accomplished a cross-dissolve with the blue glow from our black and white sets, we could have stayed young forever.

As always, I suggest a visit to The Original Mickey Mouse Club Show fan site.

Why? Because I like you.

  • Share/Bookmark

Now It’s Time To Say Goodbye

Jimmie Dodd traded his Mousegetar for a more lonely model to record this 1959 LP.

Download or listen here
. It’s great to hear Jimmie performing some non-Disney classics.

The song Lonely Guitar was performed by Annette Funicello on Disney’s Zorro.

Watch the clip here. (Annette was one of the few guitarists who could get a finger-picked sound simply by strumming her instrument.)

Jimmie Dodd and his wife Ruth cut some 78’s together. Here’s the A and B side of one single where the songs are more upbeat than lonely.

Download here. (Sorry, this is an older transfer that won’t stream.)

Jimmie Dodd was a mere 54 years old when he died in 1964; many of the kids who watched him every weekday on The Mickey Mouse Club in the 1950’s were not yet out of high school. We hadn’t seen him in years; he was like a friend from the old neighborhood.

I’m guessing that there has been only one memorial service in the history of the world featuring an organ interlude with this song line-up:


I’ll go a step further and say that there couldn’t have been a dry eye in the house when that last song finished.


  • Share/Bookmark

Hal Adelquist, 1914-1981

I bumped into the story at left while researching a post about Jimmie Dodd (which I hope to get online tomorrow).

After reading it, I checked around the web to find out more about Hal Adelquist.

According to The Original Mickey Mouse Club site, which seems to have the most information available, Adelquist was “a long-time Disney employee, [who] had worked in Production, Personnel, and the Story Department before being assigned to the Mickey Mouse Club. He and producer Bill Walsh were charged by Walt Disney with designing and developing the show. (Adelquist was also in charge of the short-lived Mickey Mouse Club Circus at Disneyland.) Despite the [Mickey Mouse Club's] overwhelming success, Hal subsequently fell out of favor with Walt Disney, and was demoted to talent scout, before leaving the studio in 1956.”

According to Neal Gabler’s Disney biography, “…Hal Adelquist, after performing some of the most thankless tasks at the studio, decided to leave…” during Walt’s ‘dead wood’ firings in 1956. “When Adelquist obsequiously petitioned Walt to return not long thereafter – ‘I’m not particular about the type of work involved’ – Walt refused,” according to Gabler.

Adelquist is cited as an “uncredited Assistant Director” on Snow White. He held the unenviable position of personnel head at the time of the Disney studio strike. When Carl Barks left the studio, his letter of resignation went to Adelquist.

The article above is from January 20, 1977. According to the OMMC site, Adelquist died on March 26, 1981.

There’s got to be much more to this story.

  • Share/Bookmark

Early Disney Movie Music – with a British Flair

The famous march that opened TV’s “Mickey Mouse Club” had a great ‘hook’… “Mic-key-Mouse-Club, Mic-Key-Mouse-Club…” as identifiable as it is unforgettable. Written by Jimmie Dodd especially for the TV show, one would hardly expect to hear that very same ‘hook’ in a recording from 1933. But here it is.

Listen to the first few seconds of “Silly Symphony Selection,” and you will hear “Mic-key-Mouse-Club, Mic-Key-Mouse-Club…” I guess we will have to call this sheer musical coincidence. Or maybe that little musical ‘hook’ is somehow inherent in the Mickey Mouse theme song, “Minnie’s Yoo-Hoo.”

Walt Disney had always refused to allow permission for records to be made from songs featured in his cartoons, but in 1933, he gave permission for a recording to be made by George Scott Wood, a British arranger and orchestra leader whose work Disney had heard and admired. Wood did an admirable job of capturing not only the Mickey Mouse theme but also a “Silly Symphony Selection” featuring music from “Funny Little Bunnies,” “Peculiar Penguins,” “The Pied Piper,” “The Grasshopper and the Ants,” “Lullabye Land,” and “The Wise Little Hen,” all “Symphonies” released in 1933 and 1934.

These British Dance Orchestras were mostly “sweet” bands, and listening to these tracks, you can easily imagine couples gliding across the polished floors of English hotels. Exceptions: the Dixieland-style treatment of “Turn on the Old Music Box,” from Pinocchio… and the jazzy treatment given to “When I See An Elephant Fly,” from Dumbo.

For your listening and downloading pleasure (All tracks 3-4m except for “Silly Symphony Selection,” 8m):

Download All

Silly Symphony Selection – Silly Symphonic Orchestra
Who’s Afraid of the Big Bad Wolf – The BBC Dance Orchestra
Ferdinand The Bull – Joe Loss and his Band
Heigh-Ho – Henry Hall and his Orchestra
With A Smile and a Song – Carroll Gibbons and the Savoy Hotel Orpheans (not a typo)
I’m Wishing – Henry Hall and his Orchestra
One Song – Carroll Gibbons and the Savoy Hotel Orpheans
Whistle While You Work – Harry Roy and his Orchestra
Some Day My Prince Will Come – Jack Harris and his Orchestra
Give A Little Whistle – Joe Loss and his Band
Little Wooden Head – Carroll Gibbons and the Savoy Hotel Orpheans
When You Wish Upon A Star – Joe Loss and his Band
Turn On The Old Music Box – George Scott Wood and the Six Swingers
When I See An Elephant Fly – Joe Loss and his Band
Love Is A Song – The RAOC Blue Rockets

  • Share/Bookmark